“有美人兮在空谷，肌肤冰雪颜如玉。”
载入史册的绝代佳人，皆是肤若凝脂，冰肌玉骨，似吹弹可破，亭亭如出水芙蓉，红颜总易引情痴，眼波流转间倾国倾城。
The most beautiful people recorded in history are all skin like clotting fat, icy flesh and jade bones, like blowing bombs to break, pavilions like lotus blossoms, and beauties are always easy to attract love and infatuation, and their eyes are flowing to the world.

接待区明亮雅致，眼前被分成了大小相等完美的四部分，分别是不一样的景观，青葱的绿植做店名最清新的背景板，落地窗的设计使视野更开阔，前台所用灯光和配色有活力，右边的台阶也达到了空间分隔的效果，台阶上是小而精致的会客区，由于通向二楼美容区的楼梯隐匿于接待台后，这几个简单的台阶也起到了引人登堂入室的作用，跃层的设计是在平面组成的空间中的生花妙笔，画出向上延伸的动线则是无声的邀请。
The reception area is bright and elegant. In front of you, it is divided into four parts of equal size and perfect. They are different landscapes. The green plants are the most fresh background board for the store name. The design of the floor window makes the vision wider. The lighting and color matching used in the front desk are dynamic. The steps on the right also achieve the effect of space separation. On the steps are small and delicate reception areas, which lead to the beauty area on the second floor. Hidden behind the reception desk, these simple steps also play a leading role. The design of the jumping floor is a vivid brush in the space composed of the plane, and the moving line extended upward is a silent invitation.

圆形，既是无限的象征，又是完美的产物，空间中大量运用圆形、拱形，强调了曲线的韵律和美，同时又不显得过于随意，与不张扬的风格相呼应。
Circle is not only a symbol of infinity, but also a perfect product. Circle and arch are widely used in the space, which emphasizes the rhythm and beauty of the curve, but also does not appear to be too casual, corresponding to the style of not publicity.

六个大小不同的圆交叠而成富有造型感的窗，既装饰了墙面，又有很强的功能性，金属的轮廓勾勒出轻奢风，和玻璃的结合显得通透感十足，开放视觉，窗内窗外，皆是景色。艺术源于生活，不仅要有审美上的优越，亦要有人文的关怀，窗框的设计可以陈列店家的产品，华丽而实用。
Six windows of different sizes are overlapped to form a window full of modeling sense, which not only decorates the wall, but also has strong functionality. The outline of metal outlines the light luxury wind, and the combination with glass is full of transparency. Open vision, windows inside and outside are all scenery. Art comes from life, not only aesthetic superiority, but also humanistic care. The window frame design can display the products of the store, gorgeous and practical.

门框、窗框、标识等用黑色白色线条勾勒，楼梯扶手也是哑光高级黑，大方简洁，场景中随处可见的暗藏灯带和圆形顶灯恰到好处，把每一处都照的温暖明亮，而又不会太过晃眼。空间中随处可见的导示，引人注意而不突兀，尽可能避免在空间中迷路的情况发生，简约的设计也呼应着高效的内涵，米斯·凡德洛曾说过：“Less is more”，简单的东西往往可以带来更多的享受。
The door frame, window frame, logo, etc. are outlined with black and white lines. The stair handrail is also matte, high-grade and black, generous and simple. The hidden light belt and round dome light everywhere in the scene are just right, which makes every place warm and bright, but not too dazzling. The guidance can be seen everywhere in the space, which attracts people's attention but not abruptly. Try to avoid the situation of getting lost in the space. The simple design also echoes the connotation of high efficiency. Mies van der Roh once said: "less is more", simple things can often bring more enjoyment.

办公区的设计风格与美容区和接待区保持一致而略有不同，较其余两个区域更注重干练和高效，宽敞而明亮。暖色调的设计显得放松惬意，柜子的设计增大收纳空间，更有实用性，简洁的家具也化解了工作的繁杂，会议室五边形的窗呼应企业LOGO，彰显企业文化，也蕴含对会议决策能力的期待。
The design style of the office area is consistent with that of the beauty area and the reception area, but slightly different. Compared with the other two areas, it pays more attention to being able and efficient, spacious and bright. The warm color design is relaxed and comfortable. The cabinet design increases the storage space and is more practical. The simple furniture also reduces the complexity of the work. The pentagonal window of the conference room echoes the corporate logo, highlights the corporate culture, and also contains the expectation of the conference decision-making ability.

空间中的一切用品，小到一双拖鞋，都是业主与设计师亲自试穿挑选的，房间内的设计注重客人的私密性，风格休闲温馨，房间顶部灯光的位置也经过了测算，既能保证美容时面部的明亮，又不会直射到躺在床上顾客的眼睛。在设计中的以人为本一直是我们不会忘记的初衷，希望这样的人间烟火气，可以抚人心。
All the articles in the space, as small as a pair of slippers, are tried on and selected by the owner and designer. The design in the room pays attention to the privacy of the guests, the style is leisure and warm. The position of the light at the top of the room has also been measured, which can not only ensure the brightness of the face during the beauty, but also can not be directed to the eyes of the customers lying on the bed. In the design of people-oriented has always been the original intention we will not forget, I hope this kind of human fireworks, can pacify people.

走廊中弧形与灯光的结合，是设计师去欧洲旅行，走过了形形色色华丽浪漫的建筑，与灵感撞个满怀的成果，而我们又赋予了其不同的内涵，每个弧度对应一个房间，结合灯光的运用形成鲜明的导视系统，线条分明，错落有致，给空间一种丰富的层次感，暗藏着宫殿的奢华，用简单的白色塑造出高级精致的风格，纯粹却不显单调。
The combination of arc and light in the corridor is the result of the designer's travel to Europe, through all kinds of gorgeous and romantic buildings, and full of inspiration, but we also give it different connotations, each arc corresponds to a room, combined with the use of light to form a distinct guiding system, with clear lines, scattered and unique, giving a rich sense of hierarchy to the space, hiding the palace. The luxury of the palace, with simple white to create a high-level delicate style, pure but not monotonous.

走过十里洋场，在这个自然舒适的空间里仍能活色生香，这是今后走走停停的人，赋予这个作品我们最想看到的意义。
After ten miles, we can still live in this natural and comfortable space. This is the person who will stop and go in the future and give this work the most significance we want to see.