▿外观
Appearance
我们以整合建筑内外关系为出发点，
充分考虑了场地与建筑及周围环境的互存性
力求达到店面与街道的有效衔接与融合
我们让了一块空间给户外，希望让室内外联系更加亲密。

We take the integration of the relationship between the inside and outside of the building as our starting point.
The interdependence of the site with the building and the surrounding environment is fully considered
Strive to achieve the effective connection and integration between the store and the street
We gave up a space for the outdoors, hoping to make the indoor-outdoor connection more intimate.

▿进门
▿Enter
两汪池水，几尾小鱼，太湖石静立其中
仿佛汇集了某种气息，平衡好整个空间的重力体系
近距离观赏，感觉更加人文与亲近
两汪池水，几尾小鱼，太湖石静立其中
仿佛汇集住某种气息，平衡好整个空间的重力体系
从顶部落下的金色秋叶，如时间凝固，定格在这宁静中
近距离的观赏，感觉更人文更亲近些。
这里的古意不是传统符号的简单呈现
在这能捕捉到中国古典园林的意境
一山一水一幅画，一步一景一重天

Two pools of water, a few small fish, Taihu Lake rocks standing still among them
It is as if a certain breath is gathered to balance the gravity system of the whole space
Closer viewing, feeling more human and intimate
Two pools of water, a few small fish, Taihu Lake rocks standing still among them
It is as if a certain breath is gathered to balance the gravity system of the whole space
The golden autumn leaves falling from the top, like time frozen, are fixed in this tranquility
Close up viewing, feeling more humanistic and more intimate.
The ancient meaning here is not a simple presentation of traditional symbols
The mood of a classical Chinese garden can be captured here
One mountain, one water, one painting, one step, one scene, one sky

▿ 沙龙区
▿ Salon area
背景画是明代陈洪绥的《梅石图》
整幅画串联了一二层，气场放大了数倍
视线很难从画面上挪开，总想在其中看出个所以然来

The background painting is "Plum and Stone" by Chen Hongsui of the Ming Dynasty
The whole painting strings together the first and second floors, and the aura is amplified several times
It's hard to take your eyes off the screen, always want to see a reason in it

▿ 品茗区
▿ Tea tasting area

▿ 包间
▿ Private room
春包间——花涧汐
花涧汐取字，出自李商隐的《同崔诣药山访融禅师》
“岩花涧草西林路，未见高僧只见缘（猿）。”

Spring package room - Hua Jian Shi
Hua Jian Shi took the word from Li Shangyin's "Visiting Zen Master Rong with Cui at Yashan
"Rock flowers and streams and grasses on the road to the West Woods, not seeing the monk but only the edge (ape)."

夏包间——青荷澜
青荷澜取意境，出自杨万里的《晓出净慈寺送林子方》
“接天莲叶无穷碧，映日荷花别样红。”

Summer Room - Qing Holan

Green Lotus is from Yang Wanli's "Sending Lin Zifang out of Jingci Temple at Dawn".
"The lotus leaves in the sky are infinitely blue, and the lotus flowers in the sun are distinctively red."

秋包间——雁南归
雁南归取字，出自刘彻的《秋风辞》
“秋风起兮白云飞，草木黄落兮雁南归。”

Autumn private room - geese return to the south
The word "geese returning to the south" is taken from Liu Che's "Autumn Wind Rhetoric
"The autumn wind rises and the white clouds fly, the grass and trees fall yellow and the geese return south."

冬包间——寒山渡
寒山渡取字，出自张继的《枫桥夜泊》
“姑苏城外寒山寺，夜半钟声渡（到）客船”

Winter private room - cold mountain ferry
The word "Cold Mountain Ferry" is taken from Zhang Ji's "The Night Poetry of Maple Bridge
"Outside Gusu City, Hanshan Temple, the sound of the bell crossing (to) the passenger boat at midnight"

我们的包间设计主题立意为四季
佐茶而行，不论是诗词茶香，还是笔墨纸砚
都是修身养性，表达心境的方式
空间之内，人与自然之间
亦是一场“境与心对话”的妙趣所在

Our private room design theme is intended for the four seasons
Accompanied by tea, whether it is the fragrance of poetry and tea, or pen, ink, paper and ink stone
All are ways to cultivate the body and express the state of mind
Within space, between people and nature
It is also a wonderful "dialogue between the realm and the heart".

一层平面图
1Fplan

二层平面图
2Fplan